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Like most prophetic religions, Islam is not conducive to fine arts.Representation of living beings is prohibited—not in the Qurʾān but in the prophetic tradition.

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An aversion to empty spaces distinguishes that art; neither the tile-covered walls of a mosque nor the rich imagery of a poem allows an unembellished area, and the decoration of a carpet can be extended almost without limit.mosque, which comprises the community and all its needs.

The essential structure is similar throughout the Muslim world.

Later, especially in the Persian, Turkish, and Indo-Muslim areas, a tendency to overstress the decorative elements of prose is evident, and the contents even of official chronicles are hidden behind a network of rhymed prose, which is often difficult to disentangle.

This tendency is illustrated in all branches of Islamic art: the lack of “architectural” formation.

There are, of course, period and regional differences—large, wide court mosques of early times; the court mosques with big halls of Iran and adjacent countries; central buildings with the wonderfully shaped domes of the Ottoman Empire.

The implements, however, are the same: a niche called a ) for the Friday sermon; minarets, locally differently shaped but always rising like the call to prayer that is uttered from their tops; the wooden carved stands for the Qurʾān, which is to be written in the most perfect form; sometimes highly artistic lamps (made in Syria and proverbially mentioned throughout the Muslim world); perhaps bronze candlesticks, with inlaid ornaments; and rich variations of the prayer mats.

Thus, the centre of the Islamic artistic tradition lies in calligraphy, a distinguishing feature of this culture, in which the word as the medium of divine revelation plays such an important role.

Representational art was found, however, in some early palaces and “at the doors of the bathhouses,” according to later Persian poetry.

In the narrowest sense, the arts of the Islamic peoples might be said to include only those arising directly from the practice of Islam.

More commonly, however, the term is extended to include all of the arts produced by Muslim peoples, whether connected with their religion or not.

If any decoration was needed, it was the words of God, beautifully written or carved in the walls or around the domes.

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